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Nationwide Voices

Today, we are proud to announce Nationwide Voices, a mid-scale talent development programme for playwrights from across the country. 2020 is the inaugural year of the project, led by ETT in collaboration with Kiln Theatre, Leeds Playhouse, Rifco Theatre Company, Sheffield Theatres, and Theatr Clwyd, with each venue or company offering a year-long attachment for each chosen playwright.

This year the playwrights are Adam Hughes (Leeds Playhouse), Matilda Ibini (ETT), Sonia Jalaly (Kiln Theatre), Asif Khan (Rifco Theatre Company), John Rwothomack (Sheffield Theatres) and Emily White (Theatr Clwyd).

The programme aims to connect writers with mid-scale theatres and support them through the crucial career transition onto main stages, while also enabling theatres nationwide to platform fresh and imaginative voices with a connection to their local area. These six writers will broaden and develop their craft through regular workshop sessions led by the award-winning playwright Chris Bush and featuring several guest speakers. They will also receive an initial seed commission, and the work they create during Nationwide Voices will be shared at a festival of staged readings in spring 2021, with ETT and partners working towards further commissioning, co-producing and touring of the plays in the future.

Nationwide Voices is made possible thanks to the John Ellerman Foundation, who have generously funded ETT to run this programme for the next three years.

Artistic Director of ETT, Richard Twyman today said “when we first conceived of Nationwide Voices the world was a very different place, and so we’ve had to adapt it to a changing landscape. But its core aim is more important than ever: to support talented, brave and imaginative writers to have their work produced on the nation’s main stages. Nationwide Voices is about forging connections between writers, venues, audiences and the touring sector to create work of national reach and relevance: celebrating remarkable voices, the diversity of our nation’s communities and the vitality of our theatres.

We don’t know what the theatre landscape is going to look like going forward but we do know that more than ever we need to look to writers and the stories they tell to help reshape our world.

We are deeply grateful to the John Ellerman Foundation for making this programme possible.”

Chris Bush added, “A lot of writers seem to spend years (if not decades) in a state of perpetual emergence. What makes this scheme so important is its specific aim to get newer writers creating work for bigger auditoriums and wider audiences. At the moment, everyone in our industry is understandably preoccupied with how to survive the current crisis. However, in the long term the theatre will only thrive by investing in talent and commissioning “riskier” work from artists who aren’t yet established names. If we keep looking to the same few ‘safe pairs of hands’ we doom ourselves to ever-dwindling audiences and diminishing artistic returns. Instead, our ambition must be to create work that is truly representative of our nation, by championing voices that haven’t yet been given a large national platform. Nationwide Voices has selected six of the most exciting writers from across the country, and I can’t wait to start working with them.”