“This is more than just theatre. It is art, activism, political resistance and storytelling — painful,joyous, elemental and essential.” – The Guardian
In APPLICATION 39, two young IT workers in the municipality of Gaza hack the bid process for the 2048 Olympics as a prank — and win. Their “victory” becomes a surreal yet pressing journey through occupation, bureaucracy, absurdity, and reconstruction. This stage version draws on real‑life testimonies, including from Gaza itself, to pose a radical question: what if Gaza were no longer rubble and siege — but a site of global gathering, resistance and renewal?